Peter Sellers’s performance as the blank, television-raised gardener Chance was so immersive that Shirley MacLaine later said he effectively remained Chauncey Gardiner throughout the production. According to MacLaine, Sellers did not even have lunch with her during filming because he was maintaining the character’s detached, old-fashioned identity. The behavior became especially strange because Sellers apparently believed he was carrying on a genuine love affair with MacLaine, even though the film’s sexual situation was deliberately built around Chance’s total incomprehension of intimacy. His performance required him to respond to political language, erotic advances, and social rituals as if they were fragments of television programming, and the boundary between that constructed persona and Sellers’s off-camera behavior reportedly became unusually blurred. The result was one of his most acclaimed performances, earning him an Academy Award nomination for Best Actor, although the intensity of his investment also fed the long-standing image of Sellers as an actor whose private identity could become entangled with his roles.
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