After principal photography, Warner Bros. screened Craven’s original cut for a test audience largely drawn from his horror fanbase. The audience disliked the film’s relative lack of gore, apparently expecting another A Nightmare on Elm Street-style bloodbath. The studio’s marketing department saw an opportunity—and a demand—and executive vice president Mark Canton pushed for a radical overhaul. Screenwriter Bruce Joel Rubin was ordered to create six additional gore scenes, each reportedly bloodier than the previous one, while Craven was pressured into reshoots involving nightmare sequences, grisly deaths, a more violent opening, and an entirely new ending. Editor Michael Eliot was brought in to restructure the picture, and substantial Paul-and-Samantha material that would have strengthened the original love story was removed. The result was a film that shifted abruptly between tender science fiction, domestic abuse drama, teen romance, and splatter horror. Craven and Rubin were reportedly furious and effectively disowned the released version. Rubin later said that the grotesque finale—in which Samantha’s face tears open to reveal a robotic form—came from Canton, adding that no writer was eager to tell a Warner Bros. president that his idea was terrible. The original cut has never received an official release, although an online petition seeking it appeared in 2014.
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