When Ava DuVernay's Selma premiered in December 2014 it was hailed as a landmark biopic about Martin Luther King Jr. and the 1965 Selma to Montgomery voting-rights marches — but the acclaim soon metastasized into a potent industry controversy. DuVernay, who had taken the $20 million Plan B Entertainment–produced project to completion, made uncredited rewrites to the original Paul Webb screenplay to center King and the people of Selma more prominently; Webb retained the official screenwriting credit. In the years following the film's release some historians and media critics accused DuVernay of reshaping historical events to suit a narrative agenda, sparking fierce debate about artistic license versus historical fidelity in high-profile biopics. The dispute over who shaped what on the script deepened in October 2020, when DuVernay publicly said that her biggest mistake was allowing Webb "to take credit for writing Selma when I wrote it," a blunt claim that reopened questions about credit, collaboration and the often opaque process of script authorship in prestige filmmaking.
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