The film's final image—Harry Callahan throwing his police badge into the water and walking away—was the product of a creative dispute between star and director. Eastwood initially opposed the gesture because he believed audiences would read it as Callahan resigning from the police department. Don Siegel argued that the badge represented the department's bureaucratic inefficiency and restrictive rules, so discarding it would symbolize Callahan's rejection of that system rather than a literal resignation. Eastwood managed to persuade Siegel not to use the ending, but when the scene was filmed he changed his mind and performed the badge toss after all. The choice gave the film an ambiguous and unsettling conclusion: Callahan appears disgusted with the institution he serves, yet the movie does not clearly condemn his extrajudicial methods. The sequence was also regarded as an homage to the famous badge-discarding imagery of High Noon, further intensifying its symbolic weight.
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