Roger Laurance Mayer, Turner Entertainment Co. / 1980s
When Ted Turner bought MGM’s library and folded it into Turner Entertainment, Roger Mayer — a long‑time studio preservationist who became Turner’s president and CEO in 1986 — found himself in the eye of a vicious cultural debate. Turner’s decision to colorize classic black‑and‑white films in the library sparked an uproar among filmmakers, critics and historians who argued that colorization violated artistic intent and distorted film history. Mayer publicly supported Turner's program, a stance that placed him at odds with leading auteurs and preservation purists. The feud had symbolic resonance: Martin Scorsese, among Mayer’s most vocal critics over colorization, nonetheless acknowledged Mayer’s contribution to film preservation years later by presenting him with the Jean Hersholt Humanitarian Award in 2005 — a public gesture that underscored both the depth of the earlier rift and the complex legacy Mayer left as both a defender of film history and an executive who backed controversial studio programming choices.
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