The film emerged from a four-picture arrangement between Generic Films and Empire Pictures, with casting underway in May 1987 and production scheduled to begin on June 5. But after Generic Films delivered Assault of the Killer Bimbos, Empire Pictures was reportedly dissatisfied with the result. Rather than allow the title to remain attached to the completed comedy, the company reassigned it to an entirely different production directed by Anita Rosenberg, which filmed in October 1987. The unusual title transfer illustrates the precarious nature of low-budget filmmaking in the 1980s: a distributor or financing partner could effectively strip a movie of the identity under which it had been developed and attach that identity to a replacement project. The completed film was eventually released under the title, while its reception—marked by sharply mixed reviews and later cult interest—did not erase the behind-the-scenes rupture between the production company and Empire.
Follow the sources
Status and citations are supplied by the archive. AI concept art is an interpretation, not historical evidence.