The controversy escalated when the Academy of Motion Picture Arts and Sciences ruled the three‑screen installation ineligible for Oscar consideration solely because of its unconventional presentation. Rather than accept exclusion, the producers of To Be Alive! engineered a workaround: they assembled a 70mm single‑screen version and screened it in Los Angeles in 1965 to meet the Academy's technical and exhibition requirements. The gambit paid off — the film went on to win the Oscar for Documentary Short Subject at the 38th Academy Awards, besting another sponsored short, Point of View (produced by the National Tuberculosis Association). The episode left a lasting, if quiet, imprint on discussions about sponsored films, exhibition formats and the lengths producers would go to secure awards legitimacy, and the film subsequently became available to the public mainly at S.C. Johnson’s Golden Rondelle Theater in Racine rather than in standard theatrical release.
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