In a telling episode about creative boundaries within the Merchant–Ivory orbit, Ruth Prawer Jhabvala declined to write the screenplay for Maurice (released 1987), the film adaptation of E. M. Forster’s posthumous novel. James Wilby later recalled in a British Film Institute interview that, despite being "the normal writer" for Merchant–Ivory projects, Jhabvala provided only notes for Maurice and explicitly refused the assignment, calling the book "sub-Forster and sub-Ivory." Her refusal — blunt and unambiguous — exposed tensions about artistic fit and literary taste inside the triumvirate. It underscored that even in long-standing collaborations, creative chemistry has limits: Jhabvala’s decision shifted the film’s writing to others and remains an oft-cited example of professional friction masked as cultivated dissent within one of independent cinema’s most celebrated production teams.
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