During principal photography for Can't Stop the Music (shot May–July 1979), veteran performer Nancy Walker — making her lone theatrical film directing effort after a long career on stage and television — and actress Valerie Perrine developed such bad blood that Walker allegedly refused to be on set for scenes in which Perrine appeared. The friction was severe enough that cinematographer Bill Butler, a respected director of photography, stepped in to run those scenes in Walker's stead. Perrine was also reportedly furious when a dance number of hers was dropped from the finished film, a cut that only deepened the bitterness. The clash between a star trained in graceful dramatic presence and a first‑time feature director who came up in television and stage underscored the volatile power dynamics on set: creative decision‑making, ego, and the pressure cooker Allan Carr brought to a big, splashy production.
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