When Broderick Crawford was vaulted back into the public eye by the syndicated police drama Highway Patrol (1955–1959), the show rescued his career but also amplified the worst of his private life. ZIV Television’s Frederick Ziv signed Crawford to headline the low‑budget, fast‑turnaround series (roughly $25,000 an episode) and even agreed to a lucrative ten‑percent‑of‑gross deal that helped Crawford earn about two million dollars during the run. But as the show’s popularity soared, so did Crawford’s drinking. The actor’s alcoholism manifested in multiple arrests and repeated stops for driving under the influence; his license was ultimately suspended. Those incidents didn’t just make headlines — they strained the program’s real‑world liaison with the California Highway Patrol (the series’ nominal subject) and tested the patience of ZIV executives. Frederick Ziv later conceded plainly, “To be honest, Broderick could be a handful,” a frank summation of a star who was, in equal measure, box‑office gold and a production headache.
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