Death Race 2000 was made under intense creative pressure, with director Paul Bartel caught between his satirical instincts and producer Roger Corman’s appetite for cheap, immediately marketable violence. Corman had originally optioned Ib Melchior’s short story The Racer after the publicity surrounding Rollerball, but he considered the first screenplay by Robert Thom too serious and, in Bartel’s words, “kind of vile.” Charles B. Griffith was brought in to reshape the material into the grotesque mixture of political satire, camp, and exploitation that Corman wanted. Bartel later complained that many of his favorite comedy scenes had been “ripped out by the roots” and replaced with crushed heads and blood squibs. He also recalled that the production suffered from script problems, bad weather, and a punishing schedule made worse by David Carradine’s obligation to finish Kung Fu before beginning the film.
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