Gas-s-s-s became the film that finally fractured Roger Corman’s long relationship with American International Pictures. Corman had directed the picture in roughly four weeks during the winter of 1969, shooting in New Mexico and Texas with a skeleton crew, a largely amateur cast, and a script that was being rewritten while cameras were rolling. He later sold the negative to AIP, believing that an informal understanding gave him meaningful control over the final cut. That understanding had never been put in writing. While Corman was in Europe directing Von Richthofen and Brown for United Artists, AIP executives James H. Nicholson and Samuel Z. Arkoff reviewed the rough cut and decided that it required substantial changes. Editors removed lines, scenes, and even an entire leading character, transforming the already strange, politically charged counterculture satire into a version Corman felt was incoherent.
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