Before becoming a cult B-movie director, Ray Dennis Steckler worked inside the Los Angeles studio system as a union cinematographer, including a period at Universal Studios. According to the account repeated in his biography, Steckler was fired after nearly knocking an A-frame onto Alfred Hitchcock. The episode is a wonderfully strange example of how precarious life could be for below-the-line workers: a camera or lighting mishap involving one of Hollywood's most powerful directors could end a career before it began. Steckler subsequently gravitated toward the independent exploitation circuit, where he had far more control and could turn accidents, limitations, and eccentric ideas into a personal style. The incident is reported rather than documented in a detailed contemporary production record, so the precise circumstances remain uncertain, but it became part of the colorful origin story surrounding his break with the studio world.
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