What was supposed to be a grand international fairy tale turned into a logistical and artistic nightmare on location in Moscow and Leningrad. Cast and crew endured primitive living conditions, severe weather and food so bad many foreigners found it inedible; Elizabeth Taylor suffered amoebic dysentery and James Coco — originally cast as Tylo — developed a gall‑bladder attack severe enough that he had to be replaced. After viewing the first week’s dailies Taylor exploded: she insisted that Jonas Gricius, the Soviet Lithuanian cinematographer assigned to the production and described as inexperienced with color features, be removed. The studio acceded — Gricius was shifted to second‑unit duties and veteran cinematographer Freddie Young was brought in — and, dramatically, all of Taylor’s footage was reshot in post‑production. Taylor even spent $8,000 of her own money on additional costumes for the role. The upheaval exemplified cultural friction on a co‑production: technical mismatches, star power overriding local crew assignments, and costly delays and reshoots that left visible scars on the finished film.
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