Ronald Bass, the Oscar-winning screenwriter of Rain Man, has long cultivated an unusual writing operation that rubbed some observers the wrong way. Unlike the lone-scribe myth of Hollywood, Bass reportedly employed six or seven mostly female assistants who handled research, typed drafts, critiqued scenes and otherwise participated in the day-to-day labor of turning story ideas into produced screenplays. One journalist even nicknamed the group "The Ronettes," a moniker that highlighted both their numbers and the gendered undertones of a prominent man surrounded by a retinue of female aides. The practice became a minor industry controversy because while assistants commonly support writers with research and logistics, Bass's model appeared to scale that assistance into something closer to collaborative authorship — without corresponding credits or guild recognition.
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