Cop and a Half stirred more than just box‑office chatter — it briefly became fodder for one of television criticism’s more public spats. Roger Ebert surprised many by awarding the family comedy three out of four stars, praising young Norman D. Golden II; Gene Siskel, by contrast, excoriated the film and later labeled it the worst movie of 1993. The disagreement crossed from review copy into on‑air theater: Siskel was openly baffled by Ebert’s endorsement, and the two sparred about taste and standards on At the Movies. The rancor persisted years later in an eyebrow‑raising bit of critic politics: after Ebert convinced Siskel to hand a thumbs‑down to Broken Arrow in 1996, Siskel attempted (unsuccessfully) to get Ebert to reciprocate by voting thumbs‑down on Cop and a Half — an odd postscript that underscores how a middlebrow studio comedy could provoke surprisingly personal feuds among heavyweight critics. Siskel even used the film’s network broadcast scheduling (NBC reportedly airing it opposite the 1997 Super Bowl) to argue that the industry itself held the movie in low regard.
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