Tom Fleischman — a fiercely respected re-recording mixer whose résumé includes an Academy Award for Hugo (2011) and nominations for Reds (1982), The Silence of the Lambs (1992), Gangs of New York (2003) and The Aviator (2004) — made a public stand on 5 March 2022 when he resigned his membership in the Academy of Motion Picture Arts and Sciences. Fleischman’s protest centered on a controversial change to the broadcast format for the 94th Academy Awards: the Academy announced that eight technical and craft categories, including Best Sound, would not be presented live during the telecast but relegated to commercial break segments. For a craftsman whose career spans more than 170 films since 1978 and who has mentored generations of sound mixers, the decision was not an abstract programming tweak but a demeaning sidelining of the very work that underpins film storytelling.
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