The already tense Blue Collar shoot reportedly descended into physical confrontations among its principal performers. Paul Schrader recalled an incident in which Richard Pryor, allegedly enraged and possibly affected by drugs, pointed a gun at him and warned that he would not perform more than three takes of a scene. In another notorious episode, Harvey Keitel became so irritated by Pryor's extended improvisation that he looked directly into the camera and threw the contents of an ashtray into its lens, deliberately ruining the take. Schrader said Pryor and his bodyguard responded by pinning Keitel to the floor and punching him. The friction did not stop there: Pryor reportedly attempted to attack Yaphet Kotto with a chair, only to be stopped and disarmed by his assistant. Keitel and Kotto themselves were said to have remained friendly with each other, but both were frustrated by the clash between their dramatic style and Pryor's improvisational comedy; many of Zeke's jokes in the completed film came from Pryor. Because these accounts come principally from Schrader's recollections and are described in some versions with qualifiers such as 'reportedly' and 'supposedly,' the precise circumstances cannot be independently established in every detail. Still, the stories remain central to the film's reputation as one of New Hollywood's most combustible productions.
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