One of the stranger intersections of Tinseltown craft and Cold War reality in Michael Westmore's career was his collaboration with special-effects colleague Tom Burman to create make‑up kits intended for use by CIA operatives overseas. Westmore — a product of the legendary Westmore make‑up dynasty who apprenticed at Universal in the early 1960s — took the artisanal sculpting, prosthetic application and disguise techniques he had honed on feature films and adapted them for clandestine field work. The Wikipedia entry notes the pair produced a complete set that later surfaced on the collectors' market; a kit created by Westmore and Burman sold for $20,000 in 2011, a tangible relic of the oddball but real tradecraft exchange between Hollywood make‑up shops and intelligence services.
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AI concept artworkArchive Record · 1960s–2010s
Hollywood Prosthetics for Spies: Michael Westmore's Secret Workbuilding CIA Identity Kits
Michael Westmore / 1960s–2010s
One of the stranger intersections of Tinseltown craft and Cold War reality in Michael Westmore's career was his collaboration with special-effects colleague Tom Burman to create make‑up kits intended for use by CIA operatives overseas. Westmore — a product of the legendary Westmore make‑up dynasty who apprenticed at Universal in the early 1960s — took the artisanal sculpting, prosthetic application and disguise techniques he had honed on feature films and adapted them for clandestine field work. The Wikipedia entry notes the pair produced a complete set that later surfaced on the collectors' market; a kit created by Westmore and Burman sold for $20,000 in 2011, a tangible relic of the oddball but real tradecraft exchange between Hollywood make‑up shops and intelligence services.
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