A persistent production legend claimed that Donna Deitch had to sell her house to complete Desert Hearts, a story that neatly fit the familiar mythology of the self-sacrificing independent filmmaker. The film did require nearly six years of development and fundraising, but Deitch directly disputed the house-selling account in a 1991 Guardian interview. She assembled the approximately $1.5 million budget through a $20,000 National Endowment for the Arts grant and the sale of $15,000 shares to individual investors and stockbrokers, with substantial support from lesbian and feminist women in cities across the United States and the largest single investment coming from a gay man. She also held fundraising parties and issued newsletters to keep backers involved. Deitch joked that she sold the project differently depending on the city—“politics” in San Francisco, “Art” in New York, and a potential “box office hit” in Los Angeles—but the documented financial history does not support the dramatic claim that she liquidated her home.
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