After principal photography wrapped in 1981, The Final Terror spent two years on a shelf while the producers hunted for distribution. Executive producer Samuel Z. Arkoff and producer Joe Roth concluded distributors wanted more on-screen carnage to market the picture alongside hits like Friday the 13th, so an extra opening murder sequence — not shot by director Andrew Davis — was inserted to bump the body count. The scene was filmed without Davis' permission; Roth later had to pay a fee to cover that decision, and shockingly some of the money used to settle the matter came out of funds originally intended for Davis' wedding. The episode stands as a petty headline-making example of producer-director friction on low-budget features: creative control was trumped by perceived market demands, and a director's personal life literally funded the patchwork solution. The unauthorized scene also underscores the lengths producers would take in the early 1980s to tweak a finished film to make it more salable in the burgeoning slasher market.
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