Paramount decided not to film in Colombia for safety reasons and instead staged Bogotá in Mexico City, using the Hacienda San Gabriel de la Palmas in Cuernavaca as the cartel headquarters. The irony: filming in Mexico introduced a different set of nightmares. The 1994 outbreak of the Chiapas conflict created security headaches and logistical snarls for an already ambitious location shoot. The production ran drastically behind schedule and over budget; those delays were compounded when part of the footage shot in the United States was destroyed by the 1994 Northridge earthquake — a brutal, unforeseen blow that forced further reshoots. Negative test screenings then prompted the studio to commission additional pickups and rewrites (using material by Donald E. Stewart and Steven Zaillian). The result was a famously bumpy shoot that combined on-the-ground political unrest, natural disaster and costly corrective work — the kind of behind-the-scenes chaos that can derail a studio tentpole yet, in this case, still yielded a box-office hit.
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