The production of First Love underwent an unusual musical credit dispute involving celebrated composer John Barry, whose original score was ultimately not used in the form he had created. Barry composed the film’s music, but much of his material was replaced or sidelined in favor of songs by Cat Stevens and Paul Williams, along with music associated with Carmine Coppola and Jean Sibelius. The result was a patchwork soundtrack that no longer represented Barry’s intended musical conception of the picture. In response, Barry removed his name from the film’s credits—a rare and highly visible form of professional protest. The episode illustrates how a composer’s creative contribution could be dramatically altered during post-production, when producers and distributors could reshape a film’s tone through commercially recognizable songs or substitute material. First Love was eventually released with the revised musical identity, while Barry’s withdrawal became the most enduring behind-the-scenes story attached to the otherwise modestly received 1977 romantic drama.
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