Drum became a troubled production almost before its plantation melodrama had properly begun. Burt Kennedy was initially hired to direct the sequel to Mandingo, but clashed with executive producer Dino De Laurentiis over the film's direction and script. According to later director Steve Carver, Kennedy was so embarrassed by the material that he abandoned the picture after filming only the opening sequence in Puerto Rico. Carver also said that several actors followed Kennedy off the production, forcing the filmmakers to rebuild portions of the cast rather than simply continue with Kennedy's footage.
Carver inherited the project with only four days of preparation. He brought in Pam Grier, Royal Dano, Brenda Sykes, and other replacement performers, then had to assemble a finished film from material shot under two different directors. The resulting picture was structurally and tonally chaotic, a quality repeatedly noted by critics who described its script as incoherent and its visual style as tacky and uneven. Carver's account makes the film's disjointed form less mysterious: Drum was not the product of a single stable production, but a rushed rescue operation conducted after a director's walkout, a partial cast exodus, and a sudden change in creative leadership.
Follow the sources
Status and citations are supplied by the archive. AI concept art is an interpretation, not historical evidence.