In mid-1972 Mario Puzo delivered a first draft of what would become the 1974 blockbuster Earthquake, but his commitment to writing The Godfather Part II kept him from finishing the project. The studio continued development without him, with first-time screenwriter George Fox and producer-director Mark Robson contributing subsequent drafts (Robson ultimately remained uncredited). When the film neared production, Puzo launched a lawsuit over story credit — a fast-settled legal fight that concluded with Puzo retaining screen credit because many of his major plot elements survived into the finished picture. The studio then capitalized on his name, featuring Puzo heavily in advertising despite his limited involvement with later drafts. The spat is an instructive episode in Hollywood about how story origins, credit arbitration, and marketing can collide: a writer with a strong brand can leverage the courts and public recognition to secure both legal credit and commercial prominence, while studios scramble to reconcile creative contributions and promotional strategies.
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