After Mickey Mouse and the Silly Symphonies began attracting audiences, Disney and his brother Roy believed distributor Pat Powers was not giving the studio its rightful share of the profits. Disney tried to reduce production costs by asking Ub Iwerks to abandon the labor-intensive practice of drawing every frame individually and instead use key poses with assistants filling in the intermediate drawings. At the same time, Disney pressed Powers for higher payments. Powers refused and signed Iwerks to work for him, while composer Carl W. Stalling resigned soon afterward, believing that the studio could not survive without Iwerks. The combination of a bitter business dispute, the loss of Disney's closest animator, and relentless overwork pushed Disney into a nervous breakdown in October 1931. He later attributed the collapse to both his punishing workload and Powers's business tactics, and took an extended trip to Cuba and a cruise through the Panama Canal with Lillian Disney to recover.
Follow the sources
Status and citations are supplied by the archive. AI concept art is an interpretation, not historical evidence.