The production's crisis became an extraordinary last-minute overhaul. With an impending Directors Guild strike threatening the already compressed schedule—and Michael J. Fox required back in Los Angeles by mid-July to resume Family Ties—United Artists decided that a more experienced director was needed. James Bridges received the emergency call on a Friday, read McInerney's novel that night, flew to New York on Sunday, and agreed to take over only if he could start again and hire cinematographer Gordon Willis. In seven days, Bridges produced a new draft that restored the novel's cocaine abuse, alcoholism, and emotional bleakness, replaced six actors, and brought in performers including Jason Robards, John Houseman, Swoosie Kurtz, Frances Sternhagen, and Tracy Pollan, while retaining Kiefer Sutherland and Dianne Wiest. Because the strike forced principal photography into roughly seven weeks, Bridges relied heavily on McInerney's original screenplay draft and revised scenes with the novelist on weekends. The Writers Guild ultimately awarded screenplay credit to McInerney alone, despite the pair's agreement to share it. The finished film was Bridges's final directorial effort, but its troubled production contributed to a $25 million film that earned only about $16.1 million domestically.
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