The Being began as an extraordinarily unlikely directorial gamble. Jackie Kong was a recent college graduate with no professional filmmaking experience when her then-husband, exploitation-film producer Bill Osco, gave her a reported $4.5 million budget to write and direct a feature. Kong later said she convinced Osco with detailed storyboards and shot breakdowns, but the project still represented a remarkable leap of faith: an inexperienced filmmaker was placed in command of a large-scale monster movie involving location work, elaborate gore effects, established stars, and a production spread across Idaho, Utah, and Los Angeles. Principal photography began in Boise in 1980 under the title Easter Sunday, with the story’s radioactive mutant and green-slime murders eventually becoming the more marketable horror title The Being.
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AI concept artworkArchive Record · 1980s
The $4.5 Million Honeymoon Gamble Behind The Being
The Being / Jackie Kong and Bill Osco / 1980s
The Being began as an extraordinarily unlikely directorial gamble. Jackie Kong was a recent college graduate with no professional filmmaking experience when her then-husband, exploitation-film producer Bill Osco, gave her a reported $4.5 million budget to write and direct a feature. Kong later said she convinced Osco with detailed storyboards and shot breakdowns, but the project still represented a remarkable leap of faith: an inexperienced filmmaker was placed in command of a large-scale monster movie involving location work, elaborate gore effects, established stars, and a production spread across Idaho, Utah, and Los Angeles. Principal photography began in Boise in 1980 under the title Easter Sunday, with the story’s radioactive mutant and green-slime murders eventually becoming the more marketable horror title The Being.
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