The Brass Target, a 1978 MGM-backed suspense picture directed by John Hough and adapted from Frederick W. Nolan’s 1974 novel The Algonquin Project, dramatized an explosive alternate history: that General George S. Patton did not die of injuries from a 1945 automobile accident but was murdered as part of a cover-up to hide thefts of Nazi gold. In Nolan’s setup (and the film’s screenplay), a spectacular robbery of a gold train, a massacre of dozens of U.S. MPs by poison gas in a tunnel, and a ring of corrupt American officers lead to the hiring of a professional assassin who stages Patton’s fatal traffic crash. The picture — starring Sophia Loren, John Cassavetes, Robert Vaughn, George Kennedy, Patrick McGoohan and Max von Sydow — plays the full conspiracy out on screen, even inventing the hitman’s rubber-bullet shot that snaps Patton’s neck at the moment of impact.
Although there were indeed massive postwar thefts of German gold and large sums remain unaccounted for, historians and contemporaneous records show no evidence of the train robbery depicted in Nolan’s book or the film, and Patton’s death has been treated by the scholarship of the era as the tragic result of a 1945 car crash. The film’s release in December 1978, however, triggered renewed public speculation: MGM was openly accused at the time of hyping the assassination theory to promote the picture, and Brass Target — despite a tepid box-office and critical reception — became a flashpoint in the uneasy intersection of historical fact and Hollywood sensationalism. The movie helped spur a wave of popular books, articles, and conspiracy-minded reexaminations of Patton’s death (including a widely read, sensational 2008 book on the subject), cementing the story as one of American military lore’s longest-lived what-ifs.
The lasting fallout is cultural rather than forensic. Brass Target is an instructive case of how a studio thriller can transmute speculative fiction into a persistent urban legend: a commercially motivated dramatization that fed public appetite for scandal, complicated the memory of a famous general, and kept an otherwise settled historical question alive in the popular imagination despite the absence of credible corroborating evidence.
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