The making of The Good Earth, MGM’s 1937 pearl-buck adaptation that would earn Luise Rainer her second consecutive Best Actress Oscar, was marred by a sequence of real-world calamities that read like studio melodrama. Director George W. Hill, who had spent months in China shooting atmospheric backgrounds, returned to Hollywood only to commit suicide soon afterward — a shock that forced MGM to postpone principal photography while they installed Sidney Franklin to finish the picture. If that disruption was not enough, producer Irving Thalberg — the studio’s youthful wunderkind and Rainer’s protector — died unexpectedly at age 37 before the film was completed. MGM’s opening credit even carries a dedication: 'To the Memory of Irving Grant Thalberg – his last greatest achievement – we dedicate this picture.' Rainer later said Thalberg’s death was a crushing blow that changed her career trajectory; contemporaries and historians have pointed to the twin tragedies as tangible calamities surrounding the production, unsettling the studio apparatus and leaving a lasting pall over what should have been a career high.
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