After a rapturous Santa Barbara preview left the film's two principal writers dissatisfied, Alan Jay Lerner and Frederick Loewe mounted an almost unheard-of financial intervention to save their picture. Lerner believed Gigi was twenty minutes too long and that whole stretches of action were pacing‑dead; MGM balked at the additional cost of reworking the film. Lerner and Loewe first offered to buy 10% of the film for $300,000 and, when that calculus still didn't settle things, put an audacious offer on the table to buy the print for $3 million — a dramatic move that convinced MGM executives to greenlight costly changes. The result was eleven days of reshooting (and roughly $400,000 in overages), including recreating Maxim's on a Hollywood soundstage and having director Charles Walters helm sequences originally shot by Vincente Minnelli (Minnelli was overseas at the time). That bruising creative-versus-studio clash — writers wagering their own money, a director temporarily sidelined, and a major studio approving last‑minute reworking — culminated in a new preview in Encino where audience affection finally matched critical appreciation; the film went on to win nine Academy Awards and become the Freed Unit's last great triumph.
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