Rick Heinrichs — already a trusted Tim Burton collaborator by the mid-1990s — lent his eye to one of Hollywood’s most notorious aborted spectacles: the ill-fated Superman Lives. Between roughly 1996 and 1998, Burton was attached to a radically reimagined Superman project that generated months of lavish pre-production work: multiple script drafts, casting rumors, prototype costumes and elaborate concept art. Heinrichs was among the designers producing the visual DNA for a version of Superman that never reached cameras; his conceptual sketches and set ideas became part of the material that fed the movie’s outsized mythology after the studio abruptly pulled the plug. The project’s combination of big-name attachments, eccentric creative demands from producers and its ultimate cancellation left a paper trail of discarded art and prop experiments that helped turn the whole enterprise into a fertile Hollywood urban legend.
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