In 1990, humorist Art Buchwald sued Paramount Pictures over Coming to America, arguing that the studio had used the premise of a treatment he had developed years earlier. Buchwald's 1982 story treatment concerned a wealthy, despotic African ruler who travels to the United States on a state visit—an idea that bore enough resemblance to the later Eddie Murphy film for the dispute to become a major Hollywood breach-of-contract case. Paramount had actually optioned Buchwald's treatment, with John Landis attached to direct and Murphy associated with the lead, but the project languished in development hell and was abandoned in March 1985. Two years later, Paramount began developing a new project based on a story credited to Murphy, which became Coming to America. Buchwald contended that the studio had effectively discarded his project and then repurposed its central concept without honoring the agreement. A court ruled in Buchwald's favor and ordered monetary damages, establishing that the case was more than a publicity stunt or a vague claim of idea theft. The parties ultimately settled before Paramount's appeal could proceed to trial, leaving the precise financial terms confidential but cementing the lawsuit as one of the film's most consequential behind-the-scenes controversies.
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