The film's most consequential production blunder was not a scandalous scene but a piece of neglected paperwork. When Debbie Does Dallas began theatrical exhibition in 1978, the prints were released without a copyright notice. In 1979, rights-holder M & A Associates signed an exclusive worldwide video-distribution agreement with VCX, whose president Norman Arno quickly realized that the film's enormous copying potential made copyright protection essential. VCX hired attorneys John Lappen and Peter Berger to investigate whether the rights could be repaired.
The lawyers concluded that simply placing a notice on new videocassettes would not cure the omission on the theatrical prints already distributed. In 1981, Berger warned M & A president Arthur Weisberg that the prints also needed proper notices; Weisberg refused to make the correction. VCX terminated the agreement and stopped paying royalties in 1982 while continuing to distribute the film, leading M & A to sue in 1987. The federal court ruled for VCX, finding that Weisberg's failure had “thrust the film irretrievably into the public domain.” A sexually explicit film that had sold roughly 50,000 videotapes thus became freely reproducible in the United States because of a basic copyright-formality failure.
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