A persistent piece of horror folklore claims that Lalo Schifrin’s unsettling score for The Amityville Horror was actually the music rejected by director William Friedkin for The Exorcist in 1973. The rumor is attractive because both films rely on dissonant, ominous soundscapes, and because Schifrin was indeed hired to compose The Amityville Horror’s memorable theme. In reality, Schifrin denied that the score had been written for or rejected by The Exorcist. For Amityville, he said his inspiration came from the film’s opening image of the house and from the idea of a family with three children moving into a mansion while ignoring its violent past. He deliberately created a distorted lullaby for three children, combining vocal effects with harp, celeste, strings, bass clarinet, muted French horn, and waterphone. The music earned Academy Award and Golden Globe nominations, but its supposed Exorcist connection remains an unsupported legend rather than a hidden production-history revelation.
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AI concept artworkArchive Record · 1970s
The False Legend That Lalo Schifrin’s Amityville Score Was Rejected by The Exorcist
Lalo Schifrin / The Amityville Horror / 1970s
A persistent piece of horror folklore claims that Lalo Schifrin’s unsettling score for The Amityville Horror was actually the music rejected by director William Friedkin for The Exorcist in 1973. The rumor is attractive because both films rely on dissonant, ominous soundscapes, and because Schifrin was indeed hired to compose The Amityville Horror’s memorable theme. In reality, Schifrin denied that the score had been written for or rejected by The Exorcist. For Amityville, he said his inspiration came from the film’s opening image of the house and from the idea of a family with three children moving into a mansion while ignoring its violent past. He deliberately created a distorted lullaby for three children, combining vocal effects with harp, celeste, strings, bass clarinet, muted French horn, and waterphone. The music earned Academy Award and Golden Globe nominations, but its supposed Exorcist connection remains an unsupported legend rather than a hidden production-history revelation.
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